
Moonrise over the Bay






This is not only a cliché shot, it’s become a cliché within my library of vacation snaps. But what are you going to do? Sand dunes, fences and shadows demand to be photographed!

I’ve posted a scene like this one most years I’ve been down the shore. this one has an interesting painterly quality deriving from the crummy mushy quality of the 2MP jpeg file.
Another beautiful image that is over saturated, over contrasty and over-sharpened. Don’t know what I was thinking but I still have a soft spot in my heart for this one. No doubt the source of the artist’s advice to “murder your darlings.”


I must also have discovered the saturation slider in Photoshop around this time.

Judging by the light, this one, and probably the jellyfish too, were shot later that afternoon.

Another mangled jpeg from that morning on the beach.

The 2MP Kodak was really a family camera. But one morning at the beach I woke up early and couldn’t get back to sleep. I took the camera down to the beach around dawn and re-awakened my dormant love of photography. You can see how crunchy the file is: 2 MP jpeg to start with and I probably sharpened the hell out of the original, not knowing any better.

A last shot on the beach as we pack up to leave, coincidentally as tropical storm Hermine is being warned against and the winds are picking up. Next post will be back to dear dirty New York.

Shooting on a tripod, I set the shutter speed to 1/8 second which blurs the motion of the surf.

Click any image to see all of them full-sized.
The summer isn’t complete without getting up early one morning and trundling down to the beach to catch the sunrise. More postcard clichés for your delectation!
It was a real pleasure shooting the sunrise this year with my Fuji XT-1 and meFoto tripod. The camera made it a dream to adjust shutter-speed, aperture and exposure compensation, to manually focus precisely using the focus peaking feature, align shots with auto level indicator and instantly adjusting the tripod with the ball-head controls. Everything fell to hand easily. A pleasure.

And the postcards keep comin’…

I was shooting with a long lens (Fuji 55 – 200mm, 300mm 35 equiv, for those who are interested) one of the side effects of which is the compression of distance, making the houses look all pressed upon one another.
Click any image to see them all embiggened.