
Here’s another image taken some months ago from my window with the longer zoom (see last post). This one was not converted to Acros in post; these are the colors out of the camera.
While I mostly shoot with a Fujifilm X-T4, I still have my X-T3 with a longish zoom (55 – 200mm, or about 85-300 full frame equivalent) usually mounted on it. When I’m traveling I can therefore carry both cameras go all the way from 16 wide to 200 tele without switching lenses. Now and then I take a few random shots with the long lens in between travels and even less often I remember to unload the chip to Capture One and see if there’s anything on it. Here’s one such from months ago, taken from my window on a frosty morning and converted to Fuji Acros.
In the same camera-making class mentioned in my last post, Peter Renn turned the room itself into a camera obscura (a dark room) with a large single lens you can see in the first image. It has a focal length of something between 1000 and 2000mm, casting a massive image circle. In the first picture above you can see the lens and part of the image on the floor. In the next couple of images you can see different parts of the image transmissively through a large, hand-held roll of tracing paper bringing different parts of the image into focus by moving back and forth. Next we used a large foam stage flat, and I took pictures of different parts of the image projected onto it. Click any of the pictures to see them all full-sized.
As part of a workshop in alternative cameras I took a few shots with an old Canon Powershot A570 which had it’s infrared filter removed and a piece of orange gel taped over the front of the lens. This yielded some interest color IR effects. Click any image to see them all enlarged.
What a difference a few weeks make. Here’s a version I posted a month ago (https://islerweb.com/2023/04/20/treelines/)
Tom’s a-cold,– O, do de, do de, do de. Bless thee from whirlwinds, star-blasting, and taking! Do poor Tom some charity, whom the foul fiend vexes: there could I have him now,–and there,–and there again, and there.