Whilst still on the tour, we passed beneath one of the many bridges traversing the Chicago River.
Nothing much going on here. I was struck by the sharp shadows and the combination of modernist shapes and lines with the wood grain and plant shadows so, of course, I had to see what it would look like in a photograph.
I shot this looking out the window because I liked the geometry of it. The men were about to dig up a lot of the brick so they could lay some conduit along the base of the building, then cover it all up again. I thought of it as a black and white image at the time because of the strong shadows and the triangle formed by the two men and the circle of conduit in the lower left.
We took a bus from the area of our hotel to the Gare du Nord to catch the EuroStar back to London. Click any of the images below to see them full-sized (you may need to click the post title first if you’re viewing this in an email or on social media).
Click any of the pictures below to see them full sized.
Our first full day we walked through the Tuileries Garden and over the Seine to the Musée d’Orsay which I had purchased timed tickets for a month in advance. Click any of the pictures below to see them all larger.
After a walk by the Water of Leith and the Dean Village we eventually made it back to the Scottish National Galleries of Modern Art. There are actually 2 buildings at opposite ends of a small park. In the morning we walked though Two. In the park there’s a construction of an open room with half-silvered glass inviting spectral self portraits.
We returned there in the afternoon for a coffee and then made our way to Gallery One. Click any of the images below to see them bigger (you may need to click on the post title to go to the web site if you’re seeing this in email or social media).
No visit to a museum would be complete without a review of the geometry of the spaces. Click any of the pictures below to see them full sized (you may need to click the post title first if you’re not seeing this directly on the web-site).
Even Charlot takes the train
Just some more passersby on the way from the train station back to our hotel, mostly on Stalingrad.
Some of the architecture and people we saw on our day in Ghent. Click any of the images above to see them all enlarged (you may need to click on the post title, above, first if you’re seeing this in an email).
We walked down Stalingrad, past all the Arab coffee houses, to the crowded platform at the Brussels Midi-Zuid train station. “In your own time,” might be the motto of the Belgian train service as only one train we took out of about eight trips actually left on time. OTOH, you can really travel all over the country relatively easily by train, something that can not be said of the US.
Massive map on a sheet of glass on either side of the building. For some context, see the picture below:
The Magritte Museum is currently being renovated and is temporarily staged in the Royal Museums of Beaux-Arts
This one eludes me. Both the allure of the Manneken Pis statue itself and, more bizarrely, the behaviour of global tourists for whom nothing is real that isn’t on their phones. That inspired me to break my usual stance of not doing selective colourisation.
While I mostly shoot with a Fujifilm X-T4, I still have my X-T3 with a longish zoom (55 – 200mm, or about 85-300 full frame equivalent) usually mounted on it. When I’m traveling I can therefore carry both cameras go all the way from 16 wide to 200 tele without switching lenses. Now and then I take a few random shots with the long lens in between travels and even less often I remember to unload the chip to Capture One and see if there’s anything on it. Here’s one such from months ago, taken from my window on a frosty morning and converted to Fuji Acros.