
Tag: street
Assemblage
After the Parade
Autumnn Colours
Afternoon Tree Shadow
Tree
Binary
Illuminated Streetlight
Shelter from the Storm
Where to find pedestrians
Stair
Shadow
West Hampstead
Waterloo(k)

Whilst waiting to meet my wife for the train home, I was taken by the wavy reflections of the many passersby on the floor of the station whenever the sun shone in brightly through the skylight. Thus end the series of photographs from my London excursion 3 weeks ago in mid-October.
Skate Park Graffiti

I don’t know the history but there are several graffiti areas in the vicinity of Waterloo Station and the Southbank. I’ve previously shown the graffiti tunnel. I found more along the River Thames edge that had been turned into an open air, underground skate park.

London and the City
Gallery
Sculpture of the Artist


There’s more going on here than meets the eye. Below this statue on the plinth is found a plaque reading, “Non Plaudite, Modo Pecuniam Jacite,” which translates from Latin as, “Do not applaud, just throw money,” perhaps a comment on the assumption of the art world into that of commerce so nearby?
I discovered this piece changes in response to the viewer at Atlas Obscura (although I did not witness any change myself).
Architecture
Seeking the bubble reputation

All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms;
And then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress’ eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon’s mouth. And then the justice,
In fair round belly with good capon lin’d,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper’d pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well sav’d, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans everything.
