Fringe Elements are up!

Here’s a stop-motion video and some installation views of my images (I’m the right ⅔ of the middle panel) that are part of Fringe Elements in this year’s Brighton Photo Fringe, up now, till the end of the month. As a reminder – you can MEET THE ARTISTS tomorrow, 7th October, from 4:30 to 7:00 down by the seafront:
Seafront Advertising Hoardings (adjacent to the Basketball Court)
What three words location: ///twice.mutual.summer
Lower Promenade, 124A King’s Road, Brighton BN1 2FN

A digital poster announcing a postponed event titled 'Meet the Artists'. The text is prominently displayed in bold colors against a background featuring a brick wall and a railing.

Opening the Honoring Eye

Yesterday at the Terrain Gallery in New York’s SoHo, The Honoring Eye exhibit opened. In case you missed it, the show will be running thought the first quarter of next year (2027) and here are a couple of snaps and a few seconds of video of the event that my daughter captured on her phone.

https://youtube.com/shorts/XaTvVCJvWYQ?si=oN7NrAFgWHEYGV6I

Hepworth

Barbara Hepworth, Courtauld Gallery

We went to see Hepworth in Colour a couple of weeks ago at the Courtauld Gallery. I was not truly familiar with her work but these were stunning pieces, abstractly illustrating many of the principles of composition and design that I have been discussing with my u3a photography group. Highly recommended if you’re in or near London. When we were finished we emerged into the Courtauld’s permanent collection and a seriously sumptuous collection of some marvelous and familiar Impressionist works.

Bruce Davidson

Dulwich Picture Gallery

A couple of weeks ago we went to see Portrait of a City: A Century of American Photography at the Dulwich Picture Gallery. This was a very broad look at American, mostly “street” photography, mostly in New York, with women atypically well represented. Loads of canonical work, ending in this room of striking dye-transfer prints of Bruce Davidson’s subway work. Frequent visitors to this site may remember that Davidson’s East 100th Street was the launching point for my project on East Harlem.

3 O’clock

National Gallery, London

We went to see the Zurbaràn exhibit at the National Gallery, which featured quite a few crucifixions in deep chiaroscuro. I was curious to see this detail, the shadow cast by the nails in Christ’s feet tell us the time was 3 o’clock, the biblically recorded time of the event.

Cowboy

Pallant House Gallery, Chichester

Jann Haworth [b. 1942]
Cowboy
1964
Kapok and unbleached calico
Wilson Gift through Art Fund (2006)

“The American cowboy is an enduring motif in Hollywood films, which has in recent years been reconsidered through a more contemporary lens, raising issues of gender, identity and social history. Jann Haworth recalls seeing her first rodeo in 1956 and, for her, the rodeo cowboy is a 'fossil of the imperfect/perfect Great American Myth! Cowboy is one of her earliest soft-sculpture figures, depicting a macho subject in a material commonly perceived as feminine.“

Love’s End?

The End of Love, Tracy Emin, 2024

Last month we went to see the big Tracey Emin retrospective at the Royal Academy. The best work, for my taste, were the large paintings from her latest period, which she considers a kind of rebirth. For me, the earlier work was very much like reading a teenage girl’s private diary, full of adolescent anger at people who “just don’t understand me,” and extremely narcissistic (to be fair, private diaries probably are all mostly narcissistic, albeit not often shared publicly). I took a lot of pictures – here they all are in roughly reverse chronological order (click on any one of them to see them all full-sized):