Cowboy

Pallant House Gallery, Chichester

Jann Haworth [b. 1942]
Cowboy
1964
Kapok and unbleached calico
Wilson Gift through Art Fund (2006)

The American cowboy is an enduring motif in Hollywood films, which has in recent years been reconsidered through a more contemporary lens, raising issues of gender, identity and social history. Jann Haworth recalls seeing her first rodeo in 1956 and, for her, the rodeo cowboy is a 'fossil of the imperfect/perfect Great American Myth! Cowboy is one of her earliest soft-sculpture figures, depicting a macho subject in a material commonly perceived as feminine.

Ed VII

Edward VII Memorial, Hove

1912. The statue by Newbury A Trent. Sandstone pedestal with plaques, railings and figure of bronze. The monument straddles the boundary between Brighton and Hove. Elaborately moulded pedestal, square in plan and standing on 3 steps; each side carries a bronze plaque: to the north a relief portrait of Edward VII, east: the arms of Hove; south: an inscription ‘IN THE YEAR 1912 THE INHABITANTS OF BRIGHTON AND HOVE PROVIDED A HOME FOR THE QUEEN’S NURSES AND ERECTED THIS MONUMENT IN MEMORY OF EDWARD VII AS A TESTIMONY OF THEIR ENDURING LOYALTY’; east: arms of Brighton; each plaque is under a segmental cornice. The pedestal carries a winged female figure carrying an olive branch and standing on a globe. A low rail surrounds the monument: short battered piers with bronze railings between.

Floaters

Charleston, Lewes

We visited Charleston in Lewes to see the Vanessa Bell exhibit. It was bookended by the Quentin Bell sculpture above and the Koak exhibit, below.

“The Dreamer (2025) presents a woman in suspension – self-contained, serene, and held in a peaceful dream state. Her body is sculpted in concrete, a material often associated with foundations and stability, yet here taking on a surprising tenderness and warmth. The figure reimagines Quentin Bell’s sculptural series of levitating women, and Louise Bourgeois’s arched figures, as an embodiment of powerful vulnerability and radical dreaming.”
– Ella Slater, from the brochure accompanying Koak, The Window Set.