In Plato’s cave allegory we are bound and can only see images of the shadows cast by statues of real things. As we free our minds, we first discover that we are looking at mere images, shadows. Next we discover that the shadows are cast not by the real but by statues, imitations of the ideals which they represent. Only when we emerge from the cave do we discover the world of real things.
In the harsh midday light, I thought this might make a decent, high contrast, black & white image, if rather pedestrian.
One weekend we took the bus to Guildford a larger town nearby with a vibrant, pedestrian shopping district, an ancient castle ruin, and more. Click any image to see them all enlarged.
End of US 80 Tybee Island Korean War Veterans’ Memorial Highway
This “bird girl” statue used to be in the Bonaventure cemetery when it was photographed by Jack Leigh and used on the cover of the hugely popular book, Midnight in the Garden of Good and Evil, by John Berendt.
As a result of it’s fame, the grave site was overrun with tourists so the statue was removed and now stands in a room at the Telfair Academy in Savannah in front of a wall-sized mural of the cemetery background so you can take a photograph of it just like the one on the cover of the book.
The plaque says, “Addressing the Statue,” and notes that while some love the historic statue, others abhor the clear subservient stance of the Native and African American.
In fact, the plaque does not so much address the statue’s problematic nature as leverage it to invite visitors to enter the museum “to learn more,” one of the natural long-term outcomes of Ronald Reagan’s charge to mediate everything in the marketplace.
A few months ago the statue was surrounded by stanchions to keep anti-racists at bay. Evidently the Museum has calculated that zealousness to have abated.