
After the Royal Academy we found very few local galleries open on a Sunday afternoon, but Saatchi Yates was, and we say this Marina Abramović exhibition, somewhat hurriedly.

After the Royal Academy we found very few local galleries open on a Sunday afternoon, but Saatchi Yates was, and we say this Marina Abramović exhibition, somewhat hurriedly.



On the advice of a recent acquaintance we visited the Kellie Miller Arts Gallery in Church Street and saw these lovely ceramics by Elizabeth Price, among many other interesting pieces.

Whilst in Barrio Logan we visited Bread & Salt, “a 45,000 square-foot gallery and experimental center for the arts with strong community ties,” and I naturally found a variety of aspects of the space to photograph.
Click any of the images below to enlarge them all.







As part of October Craft Month (Farnham is a World Craft Town) UCA hosted the Shaping Glass exhibition in the James Hockey Gallery in October, which I was lucky enough to see a little before it opened. Below are some quick snaps I took in the gallery.






On our way back from Hampstead Heath to the Belsize Park tube station we visited the Lawn Road Flats, home, at various times, to such luminaries as Walter Gropius, Marcel Breuer, László Moholy-Nagy, Agatha Christie and various NKVD spies and recruiters. It’s famous ISOBar played host, additionally, to Henry Moore, Barbara Hepworth, Ben Nicholson and Julian Huxley among many others.



Another gallery tour in London a few weeks ago, including Nick Waplington’s Living Room at Hamiltons Gallery in Mayfair.



From the Barbara Kruger at the Serpentine we walked to the newer Serpentine Gallery North to see Refik Anadol’s Echoes of the Earth, an immersive AI animation based on visual data of coral reefs and rainforests. See more below:




One room featured beanbag chairs in which you could lie and gaze at psychedelic projections on the ceiling. Looks a bit like a Victorian opium den (click any image to see them all larger).

Our next stop was the Serpentine Gallery for the Barbara Kruger show, Thinking of You. I Mean Me. I Mean You, which I had previously seen at the Art Institute of Chicago in 2021 (and here, and here). While this exhibit was necessarily much smaller than in Chicago it had also been greatly updated and made more use of video and LEDs (see a few shots below, click them to enlarge).




Our next stop was the Goodman Gallery to see Zineb Sedira’s Let’s go on singing! It captured a sense of the Franco-Algerian music/cultural scene. This included Algerian disk versions of musicians I was listening to when I lived in the mid-East in the early 1970s. See some more images below.



Our school trip to London galleries followed the Photographer’s Gallery with a visit to Gagosian to see the exhibition of Douglas Gordon: All I need is a little bit of everything. See additional images below (and click on them to enlarge).






After the Moriyama show at The Photographers’ Gallery, we went on to the Flowers Gallery where I was hoping to see Edward Burtynsky’s new work but I’d misread the web site and that show wouldn’t be opening for weeks. We went on from there, through Mayfair, to the Richard Saltoun Gallery for an excellent event dedicated to the launch of 2 new Hannah Arendt books. A perfect end to the day!



Several weeks ago, we did a crawl of London galleries, starting at the Camden Art Centre and the Bloomberg New Contemporaries, a student show that contained surprisingly mature work. Once again, I was struck by gallery spaces and the installation below (‘Twinkling finale’: 4.3.2‽_-⨅⨼, 2022 by Zayd Menk). Click either image below to see them larger.

