This one’s from September 22nd, 2010 and it reminds me of some of the aerial landscapes of Edward Burtynsky.

This one’s from September 22nd, 2010 and it reminds me of some of the aerial landscapes of Edward Burtynsky.
University for the Creative Arts, Farnham
Wai Yi is in the Fine Art MA program and was on an presentation team with me back in the Fall. Her Temple of Time was an intense experience at the UCA Grad Show in late August. Check her Instagram (@waiyi.chung.art/) to see some reels on the effort that went it to making it that I’ve been following for the last little while.
Wai Yi Chung, Temple of Time (2023)
Immersive installation space.
3.5 × 3.8 × 2.4 m.
Acrylic, enamel, emulsion paint,
MDF board, timber, muslin, one-way mirror film.
The lobby of my block of flats has these modernist lights suspended from the 1st floor (that’s the 2nd floor for Americans). I took a couple of pictures of them from the stairwell about halfway between. Both images are in colour but I’ve shifted the colour balance to make them match better.
Study in abstract blacks and grays at this brand new skate park near the river that seems to be open even as builders continue working around it. The neighboring playground was modelled in chrome yellows and brown. Click on any of the pictures to enlarge them (you may need to click the post title above first if you’re seeing this in email).
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Once again, I’m struck by the architecture, the geometry, and the use (or absence) of colour in contemporary museums, almost more than by the photography I went to see.
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We visited the Museum of Contemporary Art. I photographed some items I found particularly compelling, particularly if I could find an artistic shot to take, rather than a simple deadpan documentation, continued my series on the geometric spaces in museums, found mirrors in which to photograph myself, and was introduced to Grace Ndiritu, who we would see again in Antwerp.
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The Magritte Museum is currently being renovated and is temporarily staged in the Royal Museums of Beaux-Arts
Modern galleries present a lot of opportunities to take stark, geometric pictures.
A window looking out on a little courtyard. The smears on the stuff in the window looked like hands rising up to me. The mirror in the bottom image didn’t seem to be able to reflect me, and was angled in such a way as to create a little bit of a trompe l’oeil effect with the glass bowl in the reflection different from the stone bowl in the foreground.