
These are some bags my partner uses to keep her crochet supplies in, glinting in the sunlight, shot with a macro lens.

These are some bags my partner uses to keep her crochet supplies in, glinting in the sunlight, shot with a macro lens.

“This is the £2m Neuron Pod, one of the last posthumous works of architect Will Alsop, who proves that he is still eminently capable of making mischief from beyond the grave. The project marks the latest addition to Queen Mary University of London’s campus, an informal science learning space for the armies of schoolchildren who benefit from the teaching hospital’s lively education programme.”…more.

A couple more shadow and light plays from my recent travels around New York.


The wall bordering a gas (petrol) station on 96th Street at First Avenue. It really does look like an artist’s work, though I’m sure it was just meant to cover graffiti. Here’s another view of the same wall in black & white:


We went to see Hepworth in Colour a couple of weeks ago at the Courtauld Gallery. I was not truly familiar with her work but these were stunning pieces, abstractly illustrating many of the principles of composition and design that I have been discussing with my u3a photography group. Highly recommended if you’re in or near London. When we were finished we emerged into the Courtauld’s permanent collection and a seriously sumptuous collection of some marvelous and familiar Impressionist works.








Continuing with another image of sunlight falling and dispersing on the wall, for a series I’ve been building over the last several years.

Sunlight streaming and dispersing onto the carpet – another one for the light and shadow collection.

A couple more images for my collection of sunlight and shade.


I first saw this backlit, as you see here, and didn’t think much of it, but as I progressed through the museum, catching views of it from different angles and in different light, I kept seeing new pictures of it.












The sky was deeply coloured, but by setting my exposure for the sunlight reflection on the sea, the sensor struggled with the dynamic range, leading to this black sky. In fact, it’s possible to bring up the exposure a couple of stops in software to get a deep midnight blue, but I prefer this stark contrast.






These images shot from a kitchen window in New York in July just turned up on a camera I haven’t used since then.

I love the shadows on the wall with bright sunlight slanting through the Venetian blinds.


