Jackson’s Cousin Worked in Telcoms

Marine Parade, Brighton

An art installation we came upon in phone boxes during open studio month. There was no other information and it was difficult to see into the booths but I did find this article which I think is about the same artist.

Floaters

Charleston, Lewes

We visited Charleston in Lewes to see the Vanessa Bell exhibit. It was bookended by the Quentin Bell sculpture above and the Koak exhibit, below.

“The Dreamer (2025) presents a woman in suspension – self-contained, serene, and held in a peaceful dream state. Her body is sculpted in concrete, a material often associated with foundations and stability, yet here taking on a surprising tenderness and warmth. The figure reimagines Quentin Bell’s sculptural series of levitating women, and Louise Bourgeois’s arched figures, as an embodiment of powerful vulnerability and radical dreaming.”
– Ella Slater, from the brochure accompanying Koak, The Window Set.

According to the measure of your faith shall be your achievements

Hove Museum of Creativity

We went to the Hove Museum of Creativity largely to see Beside The Sea: Photographs by JJ Waller and Martin Parr. Scroll down almost halfway through this history of the museum building to learn about the inscriptions on the Jaipur Gateway, shown above (the post’s title is from the Sanskrit inscription).

Disposessed

I Don’t Have Another Land, 2022, Nathan Coley at the Towner, Eastbourne

I Don’t Have Another Land is a contemporary text sculpture by the internationally renowned and Turner Prize-shortlisted artist Nathan Coley. Coley creates these monumental sculptures using existing phrases that come from overheard conversations, song lyrics, news report, books or any found text. I Don’t Have Another Land was a piece of graffiti found on a wall in Jerusalem in the early 2000s. The phrases used in Coley’s artwork take on new meaning in each place they’re exhibited.”
– from the Towner website