

As a lunch-time exercise in a workshop, I took this suggestive, close-up picture, abstracting it from its context, seen better to the left.
I’ve often posted here before on weird, open spaces, often called liminal spaces, that are neither here nor there, in between, on the threshold of elsewhere. A related concept is Foucault’s heterotopia, which I’ve also explored in earlier posts. Here, a look at a concrete terrace outside the Hayward Gallery cafeteria, separating it from the Waterloo Bridge. Get ready – more are coming.
I never knew about these metallic constructions of his. In the first image below I’ve centered and isolated the structure in black and white on its mirrored plinth, in the next I show a little more, including the reflection of a passerby and, in the final image I show the whole room with the object centred so as to cover the structure shown above (click on any of the smaller images to see them enlarged – clicking through to the web site first if you’re seeing this in an email).
Couldn’t believe they had (the 1964 replica of) Duchamp’s famous urinal on display and I almost walked right past it. Also some suspended objets (below) that I don’t remember the story of.
Our final morning in Antwerp was spent at the KMSKA (Koninklijk Museum voor Schone Kunsten Antwerpen), which underwent a massive refurbishment for many years. It’s a stunning museum and as you can see I continue to be interested in capturing the spaces, the geometry, the whiteness (and blackness), the symmetry and awe of this cathedral to the beauty of the capitalist art world. Please do click into the images below to see them all full-sized (you may need to click on the post title above first if you’re seeing this in email).
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Evidently James is an English version of Jacob, via Latin and Old French. A monumental, lavishly decorated Gothic church, home to the tomb of artist Peter Paul Rubens which, alas, was closed with a lot of the church for renovation when we were there. The rear wall you see in the first picture with window light falling on it from the right is actually a painting on a barrier. Click any of the pictures to see them enlarged (unless you’re seeing this in email, in which case you may need to click the post title above first).
After the cathedral we walked to the Grote Markt (the central market square or “big market”) and on to the riverside, walking up to the Lange Wapper a statue of a character from local folklore who appears to be urinating on some of his supplicants. Click pictures to see them larger (click the post title, above, if you’re seeing this in email and clicking pictures doesn’t seem to work).
Some touristy postcard snaps of this magnificent cathedral, famous for its Pieter Paul Rubens paintings. You can see his Descent from the Cross in the 5th picture above and next to it an homage by Sam Dillemans. The accompanying brochure explains that the very realism of the Rubens fails to perturb the contemporary viewer as it ought, where the brutal impasto of the homage succeeds (it’s difficult to write sensibly about art). Click any of the pictures to see them all big (you may have to click the post title, above, first if you’re seeing this in an email).
Just some street shots from our first wander around Antwerp. I spotted the older fellow in the shot on the right and bottom left while we were stopping for a sandwich and he looked so forlorn and hungry I planned to go talk to him when I was done and see if he needed some help (or food) but when I next noticed him he was walking past with a tray piled with food, so I guess my initial prejudices were wrong. Click any of the pictures to see them all bigger (if you’re seeing this in email you may need to click the post title, above, first).
We took the train to Bruges for a day. It’s a beautiful city with scarcely a modern structure to interrupt the ancient lines. However it was absolutely rotten with tourists dawdling and gawking about, making many of the streets impassable and forcing one into pathetic tourist impostures oneself. As a friend of mine from Antwerp commented, “nobody from Belgium goes to Bruges – it’s for tourists.” Or, as Yogi Berra is reported to have said, “nobody goes there anymore – it’s too crowded.”
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More of what we saw along the boardwalk (only it was really just paved) in Ostend. Click any image above to see them all full sized (if you’re seeing this in email you may need to click the post title, above, first for this to work).
Parc du Bruxelles. There were a bunch of these whimsical