
It wasn’t just paints and brushes. Some artists pile their paints and brushes somewhat haphazardly, others keep their work tools in serried ranks.




It wasn’t just paints and brushes. Some artists pile their paints and brushes somewhat haphazardly, others keep their work tools in serried ranks.




An amusing gloss on the artists’ own height chart in the next doorway at Studio 28a on our Hove Artists Open Houses tour last month.

One of the pleasures of touring Brighton’s Artists Open Houses each May is seeing the artists’ tools, paints, and brushes and other craft paraphernalia. At Lara Bowen’s studio we saw a set of colour swatches she created in the depths of lockdown, capturing (and labeling) the emotions of those times.


Another stop on our tour of Hove Artist Open Houses was the Paul Houlton Studio – he was displaying a lifetime’s worth of work in a variety of styles, capturing much of the 20th century in Western art. Some remarkable work.

To reach Eunju Lee, a South Korean female luthier (last post), we walked through Inkspot Press and saw the screen, relief, letterpress and etching presses, and other paraphernalia.


As I was passing, I noticed the mirror in the hut and they invited me over to take my own photograph in the reflection. I started framing it up, then asked if I could include them in the picture and this was the result.




Went to see Tal Wilkenfeld perform at the Mercury Lounge, back in March 2019. Great show – her playing, unbelievable as ever.







I’ve been casting about for a new project and not taking a lot of pictures lately. Hence it’s back to the archives for now. I’m looking at images I failed to keyword in my catalogue – that should also mean I haven’t posted them here before.



I was inspired by some pictures Laura El Tantawy showed us from In the Shadow of the Pyramids at her recent presentation at POST, to start shooting very close up. I got out my 60mm f/2.4 macro lens and started using it as a walking around lens in the street to see what I might come up with. This is an atypical way to use such a lens so I’m really just experimenting to see what I can learn about shooting this way.



I liked the combination of yellow and blue light in the misty night, with the mystery of the silhouetted pedestrian.

