
Walking down the pier as the eclipse ended, I grabbed this westward snapshot of the setting sun and West Pier, unencumbered by the moon.

Walking down the pier as the eclipse ended, I grabbed this westward snapshot of the setting sun and West Pier, unencumbered by the moon.




On a walk home from Kemptown I was struck by the many interesting streets leading down to the beach and the English Channel. I’m not sure any of the individual pictures make the grade but as a small collection…?





An exercise in dividing the frame, using the specular highlights on the water to place the brighter part below the dividing line instead of above

Another image from my recce for “dividing the frame” photographs.

I’ve photographed Hove Plinth before, but now from a different angle with more sea and the flight of a seagull. I was scouting the viability of this path for a “dividing the frame” group shoot.


Murmuration over the West Pier and an in-camera panorama from the sun going down to West Pier




The sky was deeply coloured, but by setting my exposure for the sunlight reflection on the sea, the sensor struggled with the dynamic range, leading to this black sky. In fact, it’s possible to bring up the exposure a couple of stops in software to get a deep midnight blue, but I prefer this stark contrast.

with apologies to Christopher Guest.


Another view from the i360 as the sun lowered in the sky over the English Channel.


The murmuration had not begun but the starlings were gathering (as were the gulls).



Walking westward on Western Road, I noticed how brightly the sun was shining far out in the Channel and stopped whenever there was a broader opening in the street to get a picture of it.






