Famous Cream Song

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White Canvas
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Robert Ryman
Dia: Beacon
Dia: Beacon

Robert Ryman

The principal concern of Robert Ryman’s painting can be illuminated by an observation the artist made in the late 1960s, that “there is never a question of what to paint, but only how to paint.” For Ryman, this “how” of painting has always been about what he has described as “getting the paint across”—meaning, literally, getting the paint across the surface, but also, more idiomatically, getting the idea of the painting across to the viewer. “What is done with paint is the essence of all painting,” he once declared. “What painting is, is exactly what people see.” Read more…

Inversion Practice

92nd St and Columbus Ave, New York
92nd St and Columbus Ave, New York

Some very interesting lens aberration here in the Sigma 30mm f2.8 e-mount lens. Notice the reversed, upside-down, green-tinged image of the walking man from the street-light, hovering on his head near the top of the mail box.

Atmospherics

Here’s a moody, motion-blurred shot of roadside trees, taken hand-held at night through the window of a speeding car with the hint of some street lights.

NJ Turnpike, New Jersey
NJ Turnpike, New Jersey

“And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters.”

Genesis 1:2

 

 

 

Art from the Side

Spring Street, New York
Spring Street, New York

This is the side view of 2 artworks that are made up of items embedded in layers of lucite (perspex), creating a an interesting 3-dimensional effect when viewed from the front. I can’t remember the name of the artist or the gallery and couldn’t recover them on the web.

Detritus

Hooper Trail, New York

Hooper Trail, New York