Abstract – Page 2

Window, Screen Shadow, Flag

Some interesting color pixel effects above, from the combination of the light, the window screen, and the camera’s sensor, if you look closely.

We visited the old lighthouse and its museum where we learned about the fresnel and I took pictures from a number of angles, attempting to capture the colors passing through the prisms. We also visited the adjoining lighthouse keeper’s home and ascended the stairs and took a look out the window across the bay to San Diego.

On the Beach

Breaking the Chains

Chasing reflections on art

Screened

I’ve been checking out what all the miscellaneous photo apps I have on my computer are, preparing to trade in my MacBook and found Tonality from MacPhun, apparently a B&W conversion tool. Looking for an unimportant file to play with I found this one from walking around Brooklyn during a workshop I did about 5 years ago with Alex and Rebecca Norris Webb. It looks pretty interesting, so I decided to post it.

Sunlight

The very last images from my time in Farnham, more views of the bright sunlight streaming into our apartment.

Light Play

The play of sunlight on the walls in the mornings is fantastic. I took to photographing them on film but haven’t yet gotten the processed film scans, so I started taking them with a digital camera as well. Here are the digital ones.

Alien Road

30

Eventually, we made it to the town of Fenwick. This was on the outskirts, about mile 12.

Tate Stairs

I’ve photographed this stair case on previous visits to the Tate Modern – it’s hard not to want to. Here are two more from my late March visit.

Neon

Chryssa was one of the first artists to employ neon for something other than advertising. Here, Study for Gates No. 4.

The Tanks

An alternate take on the vas spaces and sense of awe created by modern art spaces, not totally unlike the cathedrals of yore, here at an area in the Tate Modern called The Tanks.

The Red Moon

Hanging in the Turbine Hall at the Tate Modern, El Anatsui’s Behind the Red Moon is immense.

Unreal

From the Barbara Kruger at the Serpentine we walked to the newer Serpentine Gallery North to see Refik Anadol’s Echoes of the Earth, an immersive AI animation based on visual data of coral reefs and rainforests. See more below:

One room featured beanbag chairs in which you could lie and gaze at psychedelic projections on the ceiling. Looks a bit like a Victorian opium den (click any image to see them all larger).