



On a business trip to Pechanga, California in late 2003, I saw these incredible leaves and took a few quick shots with the 5MP Dimage A-1. Click any one fo them to see them all enlarged.




On a business trip to Pechanga, California in late 2003, I saw these incredible leaves and took a few quick shots with the 5MP Dimage A-1. Click any one fo them to see them all enlarged.

We’re still in the archive here, but at this point, Autumn, 2003, I’ve just decided digital has really arrived and I’ve bought the Minolta Dimage A-1, a “prosumer” all-in-one, 5 MP digital camera with a flip-up rear screen, built-in flash, 28-200mm (equivalent) lens – a camera I really loved. At this point, I haven’t yet learned about Raw and I’m still shooting jpegs straight out of the camera.




So frigid weather sends me back to the archive. Here’s a selection of 2MP jpegs shot early in my digital period with the family Kodak at the beach, with a little modern editing in Capture One. Click any image to see them all enlarged.

Kirk Tuck’s Visual Science Lab pointed me to an interesting site the other day, Fuji-x Weekly, who list a series of “recipes” for creating a range of particular film looks (that aren’t already included out-of-the-box in my X-series cameras). Kirk was having fun with the Tri-x 400 recipe and, since that’s the film I shot the most of for a few decades, I thought I’d at least create the recipe and store it to one of the custom banks of my XT-4. This is my first test shot after creating it. Nice tonal range. More later, perhaps…