






We took a train trip to Chichester and visited the cathedral. Postcard-style photographs follow:










Many of the rooms were decorated around the theme of a particular colour.





The Royal Pavilion filled us with conflicting feelings: on the one hand it was gorgeous, ornate, beautiful, rococo, inspiring beauty; on the other its luxury and opulence were disgusting condemnations of the inequity in human societies.




We put off visiting the Royal Pavilion for a long time. Who wants to gawk at the opulence of oppressing royalty. Eventually, on a dull, grey day we submitted to boredom and went.









Was fortunate enough to attend a screening of Maggie Barrett and Joel Meyerowitz in Two Strangers Trying Not to Kill Each Other at Photo London, with them and the film-making couple in attendance for a discussion and Q&A afterwards. Here, as it was all over, you can see Joel, as always, Leica in hand shooting. The film was quite moving, as were some of the comments afterwards and it was directly relevant to my project Modern Romance.





We visited Charleston in Lewes to see the Vanessa Bell exhibit. It was bookended by the Quentin Bell sculpture above and the Koak exhibit, below.


“The Dreamer (2025) presents a woman in suspension – self-contained, serene, and held in a peaceful dream state. Her body is sculpted in concrete, a material often associated with foundations and stability, yet here taking on a surprising tenderness and warmth. The figure reimagines Quentin Bell’s sculptural series of levitating women, and Louise Bourgeois’s arched figures, as an embodiment of powerful vulnerability and radical dreaming.”
– Ella Slater, from the brochure accompanying Koak, The Window Set.


More interesting museum interior spaces.
Click any of the images below to see them larger.









Click any image below to enlarge them all.











Click any of the pictures below to see them all larger.
















Some interesting color pixel effects above, from the combination of the light, the window screen, and the camera’s sensor, if you look closely.


Whilst in Barrio Logan we visited Bread & Salt, “a 45,000 square-foot gallery and experimental center for the arts with strong community ties,” and I naturally found a variety of aspects of the space to photograph.
Click any of the images below to enlarge them all.




